Hold a moment. Firaxis made a Marvel game, similar in spirit to their X-Com games? And it lets you hang out and play video games with Spider-man? And it’s good?

Yes. It’s called Marvel’s Midnight Suns. And it’s here.

I admit that this game wasn’t even on my radar until I started hearing from critics who started playing it. Word of mouth was enough to convince me it was worth my time, and I’ve been more than happy with my time.

Giving me a deck to edit and refine will almost always produce the feel-good chemicals in my brain, but there’s also a depth to the combat that kept me hooked from start to finish. Each of the heroes has their own niche and toolkit that captures their character, and all of them feel unique from each other. A lot of the fun came from figuring out which heroes synergized well with each other in order to create powerful setups and combos.

And if that was the only layer to Midnight Suns, that might be enough, but there’s also something here for the Persona/Fire Emblem: Three Houses crowd. But we’ll get into that later.

After a couple of technical issues, we’re back in the game and hoping to protect the team of reporters trapped in a recreation of H. H. Holmes’s Murder Castle. We’ve yet to lose any of them, and with luck, we’ll keep it that way.

Correction: I have yet to lose a single charge yet, in any one of these Dark Pictures games. Poor Chris, always making the exact wrong decision and costing his people dearly.

As the cards at the end of the last episode and the start of this one made clear, we experienced a technical issue with the game in the middle of our recording. A scene on Chris’s end failed to load properly, which meant I was unable to progress on my end either. Reloading the game and rebooting our consoles did nothing to solve the issue, so we had to go into the Chapter Select and restart the section we were doing in order to get back on track.

It’s easy to decry the development team for an issue like that, but games aren’t easy to make, especially when you’ve made four of them in as many years. To be honest, it’s impressive that there haven’t been more issues over our time playing these games. (Although I hear that the patches made to the previous Dark Pictures games have introduced new bugs.)

While I understand how this could happen, and that it’s not a severe enough defect to prevent the game from being shipped, glitches are a tricky thing for players. Once we find one, particularly one big enough to cause us to lose significant progress, it becomes tricky to place trust in the game. Chris was hesitant to trigger the scene again, even though he knew he would need to in order for us to keep going because he was afraid the game would glitch out.

Once we’re questioning what’s a bug versus an intended feature, it’s not something that we can stop questioning until the end of the game. For a genre like this, where suspension of disbelief and immersion are king, that can be the death knell. It’s understandable, but it’s painful all the same.

The groundwork has been laid. We’ve met our cast and the internal conflicts of the group have been laid bare. With that, our plucky journalist team can now be confronted with the deadly trials and tribulations that will test their mettle.

Can Acharky and I keep these wayward charges alive? Let’s find out in The Dark Pictures Anthology: The Devil in Me.

It’s always cute when a character in a horror movie tries badly to deny the truth staring at them plainly in the face. I can’t help but laugh at the phrase “It’s just blood” in response to seeing a trail of it leading down a dark hallway.

Chris and I have both said that if we can’t save everyone, Charlie is an acceptable casualty. Hopefully, those words aren’t prophecy waiting to happen.

*stares at the next episode’s thumbnail*

Hopefully.

We have a case to solve… kinda. Well, not really. We have a gun we need to retrieve if we want to have any hope of getting paid.

So I suppose we had better get busy.

You can tell this is a game written and created by an independent developer in 2022 because it tackles the theme of class divide that has become an even more stark reality in our daily existence since the Covid-19 pandemic became a part of our daily existence.

I expect it to become a larger part of the overall plot once it comes into focus, and I’ll be interested to see where the story goes from here. For now though, it’s left a great first impression.

Our group is together, and our host has apparently left for greener pastures. With no access to phones or any such communications, we have been effectively isolated from the rest of the world.

This means it’s time for the spooks to begin.

The thing that is intriguing me most about the experience here is how much variance is being introduced simply by Chris’s inclusion. We’re seeing multiple instances where his choices have been direct, instantaneous effects on what I am doing on my side.

I don’t recall this same level of interactivity between the two of us when we played House of Ashes. There was some, but not this much. I’m curious what the choice I would’ve made had Chris not broken me out of the trapped room might have done to the run long term.

I hope to see more of this, not just in The Devil in Me, but in future Dark Pictures games.

At last, we’ve arrived at our destination: A pinpoint accurate recreation of H. H. Holmes’s Murder Castle… on a remote island without the use of our cell phones.

Surely there won’t be anything terrible happening. Surely not.

What can I say? I’m always down to ship a couple of lovely ladies who clearly have chemistry.

We’re still mostly in the setup phase of the horror movie, so we haven’t gotten any true scares as of yet. The characters, relationships, and backstories are being fleshed out. There’s a healthy dose of conflicts inside our group that no doubt be played on as the game’s plot unravels.

I look forward to it.

A couple of months ago, an indie game started making a few waves on the furry scene. I remember little about it other than that it was well-received and that it was a point-and-click adventure of some kind. Since it was on my wishlist and on sale, this seemed like as good a time as any to give it a spin.

We’re playing Brok the InvestiGator, by CowCat Games.

I would have never thought to combine a brawler with a point-and-click adventure, but I have to admit that the two genres blend quite well together. Time with the game will tell if the puzzles will remain interesting throughout my playthrough, but the combat seemed solid from my time with it.

There’s a lot of world-building going on in this early segment, but that’s expected from a narrative-driven game. I may have poked fun at the use of Captial Nouns that can make it hard to get into, in general, I think this game does it well enough that it’s easy for people to follow.

I’ve only got one more episode of this for the quick run, but I expect to beat this game on my own time.

Our adventures with this team of plucky journalists have just begun, and already they find themselves without backup, heading into a situation that can most charitably be described as “sketchy”.

Acharky and I have our work cut out for us if we have any hope of keeping these lemmings safe.

Something I noticed playing through this section was that there were a lot of technical hiccups we experienced when both of us were playing together. Both when the guys are traveling up to the lighthouse to shoot B-roll, and when the girls are sent out to spy. The game was struggling to display Chris’s character correctly. Either they were not visible at all, or they were in the wrong position T-posing in place.

I worry that as we progress through the game, that’s only going to get worse.

Another year has passed, and Acharky and I once more find ourselves in the study of the enigmatic Curator. And with that, we’re thrown into another tale of life and death, to ferry another group of doomed souls to salvation.

Will we succeed *this* time? Or are these poor journalists doomed? Let’s find out as The Dark Duo plays The Dark Pictures Anthology: The Devil in Me.

As Chris mentioned when we were recording this episode, the introduction is based on the real story of Henry Howard Holmes. Note that is “based” on the story, and not the real story. Some fictionalization is involved, much like with Ourang Medan in Man of Medan. And yet, the kernel of truth is exactly what makes the fiction so compelling.

In terms of opening sections, this is one of the stronger ones for The Dark Pictures Anthology. Even though both of us knew going in that the couple was fated to die, we couldn’t help but grow fond of the doomed newlyweds almost immediately. It’s shame they had to go out that way, but that’s just what it means to be in a Dark Pictures opening segment.

Next time, we start to learn a bit more about our actual cast.

We’ve successfully opened and traversed the Cooper Vault while keeping its contents out of the hands of the sinister Dr. M. But before we leave Sly Cooper for good, let’s take a moment to discuss the bonus content that players could unlock by finishing 100% of the game.

• “Goodbye My Sweet” Animated Short
• Canceled Sly Cooper Movie Trailer
• Dimitri Music Video
• The Evolution of Sly

I don’t have much to add beyond what I said in this video, but in general, I have a fondness for the devious raccoon that will likely never fade. As much as I would love another entry in the series, I have long since accepted that that time has long passed, and it is unlikely that any developer could live up to the expectations I would have for such a game.

It was fun while it lasted, but all good things must come to an end.