We finish Mulan’s world and go back to faffing about for a bit.
Not much to say. Frankly, any criticism we could levy towards this section would only be criticism of the original movie.
Next time, other worlds!
Welcome once more to sunny Sapienza, where we take on Landslide.
We start the Disney worlds… and the parts not really relevant to the primer.
I’m also really annoyed that the world scenarios are, more often than not, straight up rehashes of the movies they are “inspired” by. The only real difference is that Sora, Donald, and Goofy are added to it in ways that read like bad fan-fiction.
Bottom line, these worlds just weren’t fun to comment on, and not much happens that pertains to the main story.
Finally, we have arrived at the game proper.
I must say, as someone who has played this game countless times, I really appreciate the scenes they added in the Organization XIII chambers for Final Mix.
In the original release, most of the Organization members hardly get any screen time before Sora starts to slaughter them one-by-one. While this is still true even with these scenes, they help to introduce players to these characters so that there’s something resembling a buildup to the boss fights against them.
It’s not much, but it’s a needed addition that goes a slight way towards establishing our villians.
It’s too dangerous to go it alone…
Roxas’s last day of summer vacation has come and gone, so now we go some tutorial bits with Sora. 🙂
It makes sense that we would have some sort of introductory sequence for Sora since there’s a change in protagonists. That said, since we already had a 3 hour long intro as Roxas prior to that, as a player I can’t help but feel frustrated at how long it takes for the game to get moving.
The strange thing about video games is that their interactivity gives players a higher tolerance for this amount of front-loading, since it can be broken up through gameplay segments, and players aren’t likely to go through it all in one session.
But at the same time, the fact that players do wish to play and interact with the game, instead of watching a bunch of cutscenes, means that it is often smarter to get right into the action. This is largely why In-Medias-Res is such a popular plot device for video games.
That’s why I have such mixed opinions about how long this intro sequence is b/t Roxas and Sora combined. I can appreciate how important it is to perform setup for the story and plot of the game. Even when that’s considered, this process takes entirely too long, and could have easily been abridged in numerous ways.
It’s not the intro that’s the problem, it’s the aggressive length of it.
Today, we look for a deceptively simple solution to the problem of The Blackmailer.
This was a lesson in how to be more effectively experiment with NPC routines without openly exposing yourself to unnecessary danger when performing Elusive Targets. Even with the single attempt, it is important to do some basic scouting to figure out where the target is at their most vulnerable.
That said, since player death means that a contract is failed, a little more creativity is required when looking around. I pulled my gun out a couple of times not because I wanted to shoot anyone, but just to see who would detect suspicious activity. If the vision cones start appear when my gun is in my hand, then I know that it’s not safe to take out the target where I’m standing.
Though certainly an easier target than average, this one required some thought. It’s easier than it seems to break his routine and isolate him. Spacial awareness is, and always has been, king in Hitman. Knowing the map is the key to succeeding, no matter who the target is.
Five episodes in, and we’re finally finished the intro to the game. Good thing we aren’t playing, or that might have been another five or so episodes.
I’ve said it before, but I really feel that a lot of the anger people have for Roxas has much more to do with the overly long intro than anything about his character. As much as the character needs this kind of introduction, there’s no denying that most people playing Kingdom Hearts 2 were starting to get annoyed by the time the dual keyblade boss fight with Axel came around.
It’s such a shame because he is one of the most interesting characters in the series. The Nobodies in general pose interesting philosophical questions about what it means to be a part of a person, divorced from the whole. If that half were to develop it’s own personality and feelings, essentially it’s own self, would they want to merge back into who they once were, or would they want to be their own person.
Roxas is the body and soul that Sora left behind when he became a heartless. But unlike other nobodies who yearn to be whole, Roxas has no interest in going back with Sora. He hates that his very existence is fundamentally tied to someone else. There’s a lot of good sources for drama there, and they aren’t capitalized on as much as I would like.
That said, this is a topic better discussed in 358 Days/2, so I’ll table this discussion for now.
We question our life choices while Roxas investigates the seven wonders of… oh thank god.
Not much to say here as most of this episode consists of filler, nonsense, or retreading old ground.
Still, we made some bad jokes in the meantime. That’s almost worth it. 🙂
Today, we watch teenage children beat the stuffing out of each other in a legally sanctioned blood sport.
We erroneously say it’s been two years since the events of Kingdom Hearts 1. This is a lie, it has actually been 1 year in Kingdom Hearts time.
Aside from that, we spend most of this episode talking about the Struggle, and trying to get Sam up to speed on the many Ansem’s of Kingdom Hearts. To recap:
Confused yet? Don’t worry, that’s normal.