Welcome to (almost) the end of the game. Like most Kingdom Hearts finales, this is where all of the main plot twists and story beats start actually getting explained. Unlike other Kingdom Hearts finale, it’s crazier than a Metal Gear story.

If you thought that Birth By Sleep did a terrible job with how it linked the stories of games that chronologically (by release date) came out before it, then wait until you see what they did in Dream Drop Distance. There’s no other way to explain how what is about to unfold other then Xehanort being literally clairvoyant, or having a copy of Nomura’s notes.

But we’ll get more into that in the next episode. For now, the most interesting thing to note is, as we’ll note in the next episode, Riku is the true protagonist of this game. Sora is actually the victim of a sinister plot that has been unfolding over the course of the whole game. Despite our constant complaining, the game does a good job foreshadowing that something bad is going on by continuously bringing Sora into contact with Xemnas and Young Xehanort.

Buckle up, we haven’t even begun to jump down the rabbit hole.

A land of musical, magical wonders… trapped by Kingdom Hearts.

Again, credit to Square Enix for being bold enough to tackle this kind of source material. That said, I don’t have much to add here that I didn’t say in the recording.

“So that’s where this episode came from,” Brandon said to himself.

(Before you correct him, I have told Sam that there were actually four musketeers in the original novel. Don’t worry about it.)

Though we groaned a lot during this episode, I think it is really cool that Nomura tied a lot of the older Disney movies into established Kingdom Hearts canon. Without calling attention to it, they also explain King Mickey’s backstory, even if they use time travel in a dream to do it.

The plot device of the sleeping worlds, despite how silly it is, actually gave the writers an excellent excuse to work with previous Disney films. I appreciate the originality.

I completely forgot about this second trip to Traverse Town.

One thing I will actually praise Dream Drop Distance for, it’s that it does a pretty good job at foreshadowing many of the twists and plot points that come up in the end game. It’s nothing I can get into now, but I look forward to elaborating on it later.

And as for Maleficent… who cares? I don’t. She stopped being relevant a long time ago.

Sam also brings up a great point that there is a degree of casual sexism in the game with regards to how it treats female characters. We went into it with Kairi way back in Kingdom Hearts 1, and Sam was right to call it out with Shiki in this game.

Oh great, just what this game needed: A shoddy tie-in to a movie that was “coming soon” when the game came out.

In between when we recorded this episode and the time this episode is released, Joe Parlock from Let’s Play Video Games wrote an article criticizing Disney for treating it’s games like advertisements. He used Tron: Legacy’s inclusion in Dream Drop Distance, and Pirates of the Caribbean in Kingdom Hearts 2, as examples for this, and he was right to do so.

For Port Royale, one could argue that there were interesting things Nomura could do with it that were new and exciting. Here, not only are we treading old ground by going back to Tron, but we’re doing so in a way that raises far too many questions about how much any of it matters or even if could plausibly happen. On top of that, the source material isn’t that great.

It has all the hallmarks of a shitty move tie-in, and it drags down the whole game as a result.

In this episode, we had some plot occur for about 3 minutes, then the Disney worlds took over.

I don’t really have anything to say about Pinocchio. It’s just kinda there… like many other Disney worlds in this series.

That said, I really do enjoy that Riku, in particular, is getting to explore how his character has evolved since the first game. It was a good idea to contrast him with his “dark side” from back then to see how far he’s come.

Now if only we could get some more time with the former-Nobodies.

For something as decidedly family-friendly as Kingdom Hearts claims to be, The Hunchback for Notre Dame is such a strange choice.

For reference, this is the “Hellfire” song I mentioned during this episode when talking about how dark this story is.

First off, I have, since the time of the recording, been informed that “gypsy” is a racist slur. (The correct term being Romani.) Had I known that at the time, I would’ve pointed it out and the conversation that we had would’ve played out quite different. That said, it further underscores the point I was making in this episode.

Even in the lexicon of Disney movies, this isn’t one of their more beloved works. Not to say that it’s bad or that it doesn’t have fans, but it never reached the kind of popularity that a lot of their movies from this time period did. That might explain why it’s in a side game and not one of the bigger games in the Kingdom Hearts canon, but it’s still such an odd choice when it’s dark tone is combined with it’s relative obscurity.

At least we get some good character moments with Sora and Riku out of it, even if I’m left disturbed by Frollo’s Romani/Esmerelda obsession to this day.

At last, we are in the home stretch on the Kingdom Hearts Primer. This is the last sub-series in this major project that has taken Sam and I over a year and tons of our sanity. Finally, we will have recapped all the story you need to know for Kingdom Hearts 3.

After the long and grueling season on Re:Coded, we needed that break to get this started.

First off, the actual reason we had to wait is because when Sam went to edit the footage, Adobe Premier decided that he wasn’t allowed to and crashed.

Second, I’m glad to know that Sam reads my articles like the one he mentioned where I talk about Neku and the story of The World Ends With You. I would appreciate it if you did too! (Side note: Man, I really need to get back to writing.)

As for any actual commentary on the story: Man, this Kingdom Hearts game is the most confusing of the bunch. Kingdom Hearts already has a massive problem where it was difficult to explain the story to someone who hasn’t been playing the series. Dream Drop Distance adds parallel worlds, dreams, and time travel to the mix all in the introduction. There’s no real way to get around how much bloat that adds.

I also feel really bad for all the people out there who saw the cast of The World Ends With You in this game and thought “I’m sure glad Square Enix didn’t forget about this IP”. Since DDD, there has been nothing done with those characters or that IP. It’s such a shame. 🙁

Welcome to the Re:Coded section of the Kingdom Hearts Primer. It’s just to be a great and long-lasting season.

Syke.

Yeah, not much happens in Coded. So we won’t spend much time on it. In keeping with that theme, I won’t dedicate many words to it.

I will point out that Sam did a great job in editing that together though. Dude needs more credit for his work.